High rotation: 2015 in 50 tracks

Taylor Swift 2015

Taylor Swift: completely irrelevant to this article

It has been another tip-top year for tuneage. These are some of the tracks I have enjoyed most.

Bad//Dreems
‘Bogan Pride’
(Ivy League Records)
Where: Adelaide
What: Disenchanted pub-rock from a bunch of Bastards of Young

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Baro
‘Resume’
(Teamtrick)
Where: Melbourne
What: Hip Hop/electronic with a raised middle finger

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Beach House
‘Sparks’
(Subpop)
Where: Baltimore
What: The dreamiest and depressing-est of depressing dream-pop

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Beach Slang
‘I Break Guitars’
(Tiny Engines)
Where: Philadelphia
What: Carefree indie/college-rock drained through the sock of ’90s punk-pop

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Big White
‘You Know I Love You’
(Caroline Australia)
Where: Sydney
What: Angst-y, urgent jangle-rock with a sugary glaze

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Blank Realm
‘River of Longing’
(Bedroom Suck)
Where: Brisbane
What: Layers of lovelorn indie-rock and messy melodies from Queensland’s finest

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Bully
‘Trying’
(StarTime International)
Where: Philadelphia
What: A punk-pop breath of formidable, fresh air with razor sharp lyrics

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Car Seat Headrest
‘Something Soon’
(Matador)
Where: Leesburg
What: Experimental rock from an outsider who has finally found a home

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Cian
‘Extend’
(Entertainment Systems)
Where: Unknown
What: The sound of a ZX Spectrum loading, underwater

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Communions
‘Forget It’s a Dream’
(Tough Love Records)
Where: Copenhagen
What: A band to fill a Stone Roses-shaped hole, if only the Roses hadn’t reformed

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Destroyer
‘Dream Lover’
(Merge)
Where: Vancouver
What: Big sounds and celebratory sax; that moment when you decide you like the party after all

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Dick Diver
‘Tearing the Posters Down’
(Chapter Music)
Where: Melbourne
What: Top-of-the-pile Australian indie-pop

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DIIV
‘Dopamine’
(Captured Tracks)
Where: New York
What: A triumphant return for troubled shoegaze/dream-rock genius, Zachary Cole Smith

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Dorsal Fins
‘Monday Tuesday’
(Gripless Records)
Where: Melbourne
What: ’80s-esque good-time pop from Melbourne’s funnest collective

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Ferla
‘Breakups are Hard for Everybody’
(Independent)
Where: Melbourne
What: Off-kilter oddball does battered and bruised break-up rock

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Flyying Colours
‘Running Late’
(Club AC30)
Where: Melbourne
What: Charge-leading roogaze/psych-rock with a conscience

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Gang of Youths
‘Knuckles White Dry’
(Mosy Recordings)
Where: Sydney
What: All the heart-wrenching misery of a loved one dying from cancer. Happy Christmas!

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GL
‘Number One’
(Plastic World & Midnight Feature)
Where: Melbourne
What: Electronic duo featuring members of the Bamboos; a vehicle for the supremely talented Ella Thompson

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Gold Class
‘Bite Down’
(Spunk Records)
Where: Melbourne
What: Major emerging post-punk talent that caused a big stir in industry circles in 2015

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Guantanamo Baywatch
‘Too Late’
(Suicide Squeeze)
Where: Portland
What: Ramshackle semi-serious soul that charms its way in

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The Internet
‘Just Sayin/I Tried’
(Odd Future)
Where: Los Angeles
What: Impossible-to-Google soul/Hip hop smoothness

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IV League
‘Lit Screen’
(Independent)
Where: Melbourne
What: Heartfelt indie-pop from promising Victorian upstarts

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Jaala
‘Salt Shaker’
(Wondercore Island)
Where: Melbourne
What: There’s magic in a unique voice singing lines like “I was pouring pints for fuckheads” in a rambling, art-pop mash

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Jacco Gardner
‘Find Yourself’
(Excelsior)
Where: Hoorn
What: Neo-baroque psych with shades of Kevin Ayers and the floors of a thousand Dutch coffee shops after dusk

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Kurt Vile
‘Pretty Pimpin’
(Matador)
Where: Philadelphia
What: The cool AF stoner/psych master is as good as ever on new album, b’lieve i’m goin down…

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Mangelwurzel
‘Fishy Fry’
(Independent)
Where: Melbourne
What: Fucking bizarre, unclassifiable brilliance from Jaala vocalist Cosima Jaala’s other band

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Methyl Ethel
‘Twilight Driving’
(Dot Dash/Remote Control)
Where: Perth
What: Scruffy psych-pop with a heavy helping of Australian sunshine

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Mexican Knives
‘Beach Song’
(Independent)
Where: Detroit
What: Loose and laconic garage/indie rock

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Mikael Seifu
‘The Lost Drum Beat’
(RVNG Intl.)
Where: Addis Ababa
What: Ethiopiyawi electronic musician ready to conquer the world in 2016

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Mild High Club
‘Undeniable’
(Stones Throw)
Where: Chicago/Los Angeles
What: Delightfully weird; equal parts Dr. Dog and the Beatles’ circa Magical Mystery Tour

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MUNA
‘Promise’
(Independent)
Where: Los Angeles
What: All the ’80s big-pop influences, but most prominently Cyndi Lauper, with swearing

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The Ocean Party
‘Guesswork’
(Spunk)
Where: Wagga Wagga
What: Sweet-as indie-rock/pop from NSW youngsters

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Palm
‘Ankles’
(Independent)
Where: New York
What: the fuck did I just listen to

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PINS
‘Young Girls’
(Bella Union)
Where: Manchester
What: Young Girls doing it (primo indie-pop) for themselves

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Potty Mouth
‘Cherry Picking’
(Independent)
Where: Northampton, Massachusetts
What: Cool pop-rock

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The Pretty’s
‘Angry Horizon’
(Split-Tape Records)
Where: Vancouver
What: Garage/garbage rock that may need a change of underpants

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PWR BTTM
‘Ugly Cherries’
(Father/Daughter Records)
Where: New York
What: Camped-up cross between The Troggs and Thin Lizzy

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Ratatat
‘Abrasive’
(XL Recordings)
Where: New York
What: Rockatronica à la Daft Punk circa 2001, with better guitars

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Rolling Blackouts Coastal Fever
‘Tender is the Neck’
(Ivy League)
Where: Melbourne
What: Laidback Australian rock for dusty roads and frosty beers

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Ronnie Stone and the Lonely Riders
‘<3 Race. Cold Sweat. Nu Dance. Do It.’
(Independent)
Where: New York
What: Ridiculous retro-futuristic ’80s synth nonsense that’s a heap of fun

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Savages
‘The Answer’
(Matador)
Where: London
What: Brutal post-punk first taste of new album, out January 2016

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Sheer Mag
‘Button Up’
(Katorga Works)
Where: Philadelphia
What: Healthy mix of ’70s classic rock (Thin Lizzy) and punk (X-Ray Spex)

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Shlohmo
‘Buried’
(WEDIDIT)
Where: Los Angeles
What: Ominous-as-fuck electronica will have you checking under the bed

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Sleater-Kinney
‘No Cities to Love’
(Sub Pop)
Where: Portland
What: Gimme a break

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Slonk Donkerson
‘Build Something/Break Even’
(Black Bells)
Where: New York
What: Shit name, great track. Nothing is perfect

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Unknown Mortal Orchestra
‘Multi-Love’
(Jagjaguwar)
Where: Auckland/Portland
What: Psychedelic depression-funk dadwave

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Viet Cong
‘March of Progress’
(Jagjaguwar)
Where: Calgary
What: Cutting industrial noise in the controversially-named Canadians’ trademark style

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Wax Idols
‘Lonely You’
(Suicide Squeeze)
Where: Oakland
What: Triumphant break-up ode performed in late ’80s pop/rock fashion

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Westkust
‘Swirl’
(Run For Cover)
Where: Gothenburg
What: Shoegaze/rock delights for for the indie kid in all of us

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Yung
‘Blanket’
(Mastermind Records)
Where: Aarhus
What: If The Replacements came from Denmark

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