Live review: Rise Against + Clowns + Outright – Brisbane Riverstage – 4/12/15

rise against brisbane riverstage

“This is the sign that it’s been a great gig,” says Tim McIlrath, holding aloft a rancid, steaming trainer which has just landed next to him. Like with everything the Rise Against frontman says or does at Brisbane’s Riverstage on Friday night (4th December), a deafening roar is hurtled stage-wards from a ferocious audience. And after this comment, the shoes keep coming.

Every great gig need to start with great supports, though, and tonight’s show is lucky to have two of them. Melbourne hardcore outfit Outright are first to force the dials into the red with an intense early set. Singer Jelena Goluza will have undoubtedly won her band new fans with an impressively brutal vocal onslaught over a 25-minute set and a passionate speech about domestic violence before the track ‘A City Silent’. Fantastic work Jelena; the music world needs more of you.

Next up is Melbourne’s hardcore/punk gang Clowns, whose frontman Stevie Williams finds himself with a ripped shirt as early as the first song after getting among the audience at front-and-centre. The quartet are typically energetic and charming over a furious 30 minutes; in turn mounting monitors and amps, demanding that some dude “delete his fucking Tinder” and get off his phone, playing monster riff after monster riff, and finally, posing for a photo with their audience. These guys have got to be near the top of the pile in terms of what Australia can offer the genre right now.

As the R, I, S and E are unveiled from beneath their drapes and the steam begins to rise from a heaving crowd in front of the barrier, an obviously up-for-it band get to business with ‘The Great Die-Off’, ‘The Good Left Undone’ and ‘Satellite’ as an opening salvo, with a few hundred metres already run by guitarist Zach Blair and bassist Joe Principe, as they switch position and stances repeatedly. A testosterone-heavy crowd laps up everything coming from the stage and shows its appreciation with the aforementioned soaring shoes, pinging plastic bottles, and a cacophony of tone-deaf vocal accompaniment fit for a footy match.

‘Prayer of the Refugee’ receives a huge response, as does a towering ‘Ready to Fall’, and while McIlrath’s solo section, including ‘Swing Life Away’, takes the sting out of proceedings for a while, a massive finish is assured with ‘Savior’. Rise Against loves Australia and Australia loves them back is the takeaway from this evening.

For Scenestr

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