Tag Archives: blank realm

High rotation: 2015 in 50 tracks

Taylor Swift 2015
Taylor Swift: completely irrelevant to this article

It has been another tip-top year for tuneage. These are some of the tracks I have enjoyed most.

Bad//Dreems
‘Bogan Pride’
(Ivy League Records)
Where: Adelaide
What: Disenchanted pub-rock from a bunch of Bastards of Young

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Baro
‘Resume’
(Teamtrick)
Where: Melbourne
What: Hip Hop/electronic with a raised middle finger

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Beach House
‘Sparks’
(Subpop)
Where: Baltimore
What: The dreamiest and depressing-est of depressing dream-pop

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Beach Slang
‘I Break Guitars’
(Tiny Engines)
Where: Philadelphia
What: Carefree indie/college-rock drained through the sock of ’90s punk-pop

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Big White
‘You Know I Love You’
(Caroline Australia)
Where: Sydney
What: Angst-y, urgent jangle-rock with a sugary glaze

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Blank Realm
‘River of Longing’
(Bedroom Suck)
Where: Brisbane
What: Layers of lovelorn indie-rock and messy melodies from Queensland’s finest

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Bully
‘Trying’
(StarTime International)
Where: Philadelphia
What: A punk-pop breath of formidable, fresh air with razor sharp lyrics

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Car Seat Headrest
‘Something Soon’
(Matador)
Where: Leesburg
What: Experimental rock from an outsider who has finally found a home

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Cian
‘Extend’
(Entertainment Systems)
Where: Unknown
What: The sound of a ZX Spectrum loading, underwater

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Communions
‘Forget It’s a Dream’
(Tough Love Records)
Where: Copenhagen
What: A band to fill a Stone Roses-shaped hole, if only the Roses hadn’t reformed

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Destroyer
‘Dream Lover’
(Merge)
Where: Vancouver
What: Big sounds and celebratory sax; that moment when you decide you like the party after all

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Dick Diver
‘Tearing the Posters Down’
(Chapter Music)
Where: Melbourne
What: Top-of-the-pile Australian indie-pop

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DIIV
‘Dopamine’
(Captured Tracks)
Where: New York
What: A triumphant return for troubled shoegaze/dream-rock genius, Zachary Cole Smith

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Dorsal Fins
‘Monday Tuesday’
(Gripless Records)
Where: Melbourne
What: ’80s-esque good-time pop from Melbourne’s funnest collective

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Ferla
‘Breakups are Hard for Everybody’
(Independent)
Where: Melbourne
What: Off-kilter oddball does battered and bruised break-up rock

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Flyying Colours
‘Running Late’
(Club AC30)
Where: Melbourne
What: Charge-leading roogaze/psych-rock with a conscience

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Gang of Youths
‘Knuckles White Dry’
(Mosy Recordings)
Where: Sydney
What: All the heart-wrenching misery of a loved one dying from cancer. Happy Christmas!

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GL
‘Number One’
(Plastic World & Midnight Feature)
Where: Melbourne
What: Electronic duo featuring members of the Bamboos; a vehicle for the supremely talented Ella Thompson

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Gold Class
‘Bite Down’
(Spunk Records)
Where: Melbourne
What: Major emerging post-punk talent that caused a big stir in industry circles in 2015

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Guantanamo Baywatch
‘Too Late’
(Suicide Squeeze)
Where: Portland
What: Ramshackle semi-serious soul that charms its way in

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The Internet
‘Just Sayin/I Tried’
(Odd Future)
Where: Los Angeles
What: Impossible-to-Google soul/Hip hop smoothness

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IV League
‘Lit Screen’
(Independent)
Where: Melbourne
What: Heartfelt indie-pop from promising Victorian upstarts

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Jaala
‘Salt Shaker’
(Wondercore Island)
Where: Melbourne
What: There’s magic in a unique voice singing lines like “I was pouring pints for fuckheads” in a rambling, art-pop mash

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Jacco Gardner
‘Find Yourself’
(Excelsior)
Where: Hoorn
What: Neo-baroque psych with shades of Kevin Ayers and the floors of a thousand Dutch coffee shops after dusk

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Kurt Vile
‘Pretty Pimpin’
(Matador)
Where: Philadelphia
What: The cool AF stoner/psych master is as good as ever on new album, b’lieve i’m goin down…

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Mangelwurzel
‘Fishy Fry’
(Independent)
Where: Melbourne
What: Fucking bizarre, unclassifiable brilliance from Jaala vocalist Cosima Jaala’s other band

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Methyl Ethel
‘Twilight Driving’
(Dot Dash/Remote Control)
Where: Perth
What: Scruffy psych-pop with a heavy helping of Australian sunshine

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Mexican Knives
‘Beach Song’
(Independent)
Where: Detroit
What: Loose and laconic garage/indie rock

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Mikael Seifu
‘The Lost Drum Beat’
(RVNG Intl.)
Where: Addis Ababa
What: Ethiopiyawi electronic musician ready to conquer the world in 2016

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Mild High Club
‘Undeniable’
(Stones Throw)
Where: Chicago/Los Angeles
What: Delightfully weird; equal parts Dr. Dog and the Beatles’ circa Magical Mystery Tour

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MUNA
‘Promise’
(Independent)
Where: Los Angeles
What: All the ’80s big-pop influences, but most prominently Cyndi Lauper, with swearing

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The Ocean Party
‘Guesswork’
(Spunk)
Where: Wagga Wagga
What: Sweet-as indie-rock/pop from NSW youngsters

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Palm
‘Ankles’
(Independent)
Where: New York
What: the fuck did I just listen to

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PINS
‘Young Girls’
(Bella Union)
Where: Manchester
What: Young Girls doing it (primo indie-pop) for themselves

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Potty Mouth
‘Cherry Picking’
(Independent)
Where: Northampton, Massachusetts
What: Cool pop-rock

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The Pretty’s
‘Angry Horizon’
(Split-Tape Records)
Where: Vancouver
What: Garage/garbage rock that may need a change of underpants

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PWR BTTM
‘Ugly Cherries’
(Father/Daughter Records)
Where: New York
What: Camped-up cross between The Troggs and Thin Lizzy

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Ratatat
‘Abrasive’
(XL Recordings)
Where: New York
What: Rockatronica à la Daft Punk circa 2001, with better guitars

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Rolling Blackouts Coastal Fever
‘Tender is the Neck’
(Ivy League)
Where: Melbourne
What: Laidback Australian rock for dusty roads and frosty beers

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Ronnie Stone and the Lonely Riders
‘<3 Race. Cold Sweat. Nu Dance. Do It.’
(Independent)
Where: New York
What: Ridiculous retro-futuristic ’80s synth nonsense that’s a heap of fun

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Savages
‘The Answer’
(Matador)
Where: London
What: Brutal post-punk first taste of new album, out January 2016

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Sheer Mag
‘Button Up’
(Katorga Works)
Where: Philadelphia
What: Healthy mix of ’70s classic rock (Thin Lizzy) and punk (X-Ray Spex)

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Shlohmo
‘Buried’
(WEDIDIT)
Where: Los Angeles
What: Ominous-as-fuck electronica will have you checking under the bed

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Sleater-Kinney
‘No Cities to Love’
(Sub Pop)
Where: Portland
What: Gimme a break

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Slonk Donkerson
‘Build Something/Break Even’
(Black Bells)
Where: New York
What: Shit name, great track. Nothing is perfect

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Unknown Mortal Orchestra
‘Multi-Love’
(Jagjaguwar)
Where: Auckland/Portland
What: Psychedelic depression-funk dadwave

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Viet Cong
‘March of Progress’
(Jagjaguwar)
Where: Calgary
What: Cutting industrial noise in the controversially-named Canadians’ trademark style

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Wax Idols
‘Lonely You’
(Suicide Squeeze)
Where: Oakland
What: Triumphant break-up ode performed in late ’80s pop/rock fashion

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Westkust
‘Swirl’
(Run For Cover)
Where: Gothenburg
What: Shoegaze/rock delights for for the indie kid in all of us

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Yung
‘Blanket’
(Mastermind Records)
Where: Aarhus
What: If The Replacements came from Denmark

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Live review: The Queensland Music Awards – The Powerhouse, Brisbane – 30/3/15

blank realm
Blank Realm

THE talent-rich sunshine state celebrated another fantastic year of music and creativity at the Queensland Music Awards at Brisbane Powerhouse in New Farm last night, with big wins for Violent Soho, Sahara Beck, Bobby Alu, The Amity Affliction and Airling.

Hosted by six-time veteran Sarah Howells of triple j and the wonderfully hilarious Fred Leone of Rival MC and Yarwah fame, the event – moved from its normal September slot to avoid clashing with BIGSOUND – proved to be another fine showcase of the outstanding range of quality music coming out of Queensland in recent months.

While Violent Soho bagged album of the year for Hungry Ghost, freakishly-talented teenager Sahara Beck deservedly grabbed the gong for most popular female, and a laidback Bobby Alu picked up the most popular male award, leaving last year’s winner Jeremy Neale empty-handed.

The Amity Affliction accepted their award for most popular group with a video message from somewhere on tour in the northern hemisphere, while Airling not only performed her excellent track ‘Wasted Pilots’, but also snagged the pop award for the same song.

In an unfortunate yet sweet set of circumstances, The Grates’ pair Patience Hodgson and John Patterson were unable to accept their award in the rock category as they had to put their infant child to bed, while The Vernons not only won the regional gong for ‘To The Sky’, but also the hearts of a packed room with an acceptance speech including the words “My parents will be filthy they didn’t come tonight.”

yarwah
Yarwah

The excellent The Medics deservedly picked up an award in the Indigenous category for their track ‘Wake Up’, with singer Kahl Wallis giving thanks in poetry form, while country rock ‘n’ rollers Halfway nabbed gongs in the country category and for song of the year for ‘Dulcify’.

With live performances from Yarwah, Halfway, Sahara Beck, MKO, Airling, Katie Noonan + cln, Blank Realm (who were, by far, the outstanding live performers of the evening) and We All Want To, the Queensland Music Awards for 2015 proved to be another celebration of everything that’s great about music in the state, with every nominee deserving of being a winner.

A special mention has to go to host Fred Leone, who not only performed with his excellent band Yarwah and helped introduce the #notON campaign aimed at stamping out violence against women, but was a constant source of hilarity throughout.

“I’m getting on towards middle age for a black fella,” he said, at one stage, to awkward laughter. “I’m 36 and we die around 50.” At another point he had the room in stitches while, after listening to Sarah Howells talk about and thank her dressmaker for a bit longer than was perhaps necessary, he uttered the immortal words “And I would like to thank Trade Secret at Chermside for these pants – $30.” What a dude.

Full list of winners:

SCHOOLS (GRADE 6 – 12)
SASKIA
Song Title: ‘Days Of Doom’
Writers: Saskia van Iperen, Alistair Marsden

POP
Airling
Song Title: ‘Wasted Pilots’
Writers: Hannah Shepherd, Tom Iansek, Graham Ritchie

ROCK
The Grates
Song Title: ‘Holiday Home’
Writers: Patience Hodgson, John Patterson

BLUES/ROOTS
Leanne Tennant
Song Title: ‘Bearing The Crown’
Writers: Leanne Tennant

COUNTRY
Halfway
Song Title: ‘Dulcify’
Writers: John Busby, Chris Dale, Ben Johnson, Elwin Hawtin, Luke Peacock, John Willsteed

URBAN
Dubmarine
Song Title: ‘None the Wiser’
Writers: Joel Alexander, Terry Cassels, Paul Watson, Paul Donehue, Jeremie Nagabbo, Mikael Strand, Nick Torpy, Billie Weston

FOLK/SINGER SONGWRITER
Quintessential Doll
Song Title: ‘Live Like I’m Dying’
Writers: Steph Linsdell

WORLD
Mzaza
Song Title: ‘Enfants du Chemin’ (Children of the Road)
Writers: Pauline Maudy, Greta Kelly, Jordan Stamos, John Robertson, Stephen Cuttriss, Chloe Ann Williamson

JAZZ
Laique
Song Title: ‘Closing Time’
Writers: Kylie Southwell

ELECTRONIC/DANCE
Michelle Xen
Song Title: ‘Short Term Plan’
Writers: Michelle Oxenham

HEAVY
Guards of May
Song Title: ‘Numbers’
Writers: James Harden, Keita Neralic, Richie Harvey, Damian Saloman, Levi Russell

CHILDREN’S MUSIC
The Kangagang
Song Title: ‘Hungry Crocodile Chomp’
Writers: Carolyn Simpson

VIDEO
The Kite String Tangle
Song Title: ‘Arcadia’
Writers: Daniel M Harley

INDIGENOUS
The Medics
Song Title: ‘Wake Up’
Writers: Kahl Wallace, Jhindu Lawrie, Andrew Thomson, Charles Thomas

REGIONAL
The Vernons
Song Title: ‘To The Sky’
Writers: James K Nikiforides, Jonathan K Nyst

THE BOQ PEOPLE’S CHOICE AWARD – MOST POPULAR FEMALE
Sahara Beck

THE BOQ PEOPLE’S CHOICE AWARD – MOST POPULAR MALE
Bobby Alu

THE BOQ PEOPLE’S CHOICE AWARD – MOST POPULAR GROUP
The Amity Affliction

SONG OF THE YEAR
Halfway
Song Title: ‘Dulcify’
Writers: John Busby, Chris Dale, Ben Johnson, Elwin Hawtin, Luke Peacock, John Willsteed

ALBUM OF THE YEAR
Violent Soho
Album: Hungry Ghost

For The AU Review