Live review: Tame Impala – Brisbane Entertainment Centre – 18th October 2022

It’s been an age between drinks for Tame Impala and Brisbane, and with a sold-out Entertainment Centre clamouring to greet Kevin Parker and the boys, what couldn’t go perfectly right?

First up was local legend-in-the-making Sycco who looked born to do it on a stage this big and received a huge response from an already half-full Entertainment Centre for her efforts, most especially on final track ‘Dribble’.

Sycco

Next came Genesis Owusu and a lesson in owning a stage by sheer presence and force of personality alongside an energetic vocal performance and some killer lyrics. It’s hard to nail down just one thing that makes the Ghanaian-Australian such a powerful act when he seems to have it all; recent track ‘GTFO’ went down particularly well and lyrically could be Rage Against the Machine’s ‘Killing in the Name’ for a new generation. There’s absolutely no stopping this guy based on this performance.

Genesis Owusu

The members of Tame Impala saunter onto the stage amid a retina-searing light display, dense dry ice, and reverberating screams of appreciation from a heaving Entertainment Centre, with Parker looking entirely unfazed by the circumstances in which he found himself. This is a band that has grown from its relatively humble WA psych-rock roots to be the international festival headliner it now is, so it’s easy to see why this experience is all in a day’s work for the multi-instrumentalist master. His show takes a simple approach: give the audience what it wants, do it in style, and do it BIG.

Tame Impala

This is the ‘Slow Rush’ tour, so that album’s songs feature heavily at all the big moments, including opener ‘One More Year’ and early tracks ‘Borderline’ and ‘Breathe Deeper’. However, having been around for over 14 years and with a back catalogue that most bands would die for, Parker and the gang can pull from all corners of their varied career and strike a chord with anything they pull out of the bag, as with ‘Nangs’, ‘Apocalypse Dreams’, and ‘Elephant’, before which Parker enquires of the crowd’s willingness to “get a little wild” – which it does in spades.

It was during an extended ‘Let it Happen’ that one of the band’s trademark moments comes with the launch of the confetti cannons at the drop, before a chilled-out ‘Feels Like We Only Go Backwards’ provided a cool counterpoint. This left only the need for a big finish to top off the show, which came in the form of ‘The Less I Know the Better’ and ‘One More Hour’.

It was all a truly mind-melting visual experience; the lighting was simultaneously mesmerising, trippy, and, at times, almost difficult not to turn away from. But in terms of Australian music, this band’s live experience is up with there with the very best. It definitely wasn’t slow; it definitely WAS a rush.

For Scenestr

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