BIGSOUND? More like bloody massive sound. Whatever the next level up from ‘embarrassment of riches’ is, QMusic have pulled it out of the bag in 2015. With 150 bands on 15 stages over two nights, BIGSOUND Live is the metaphorical all-you-can-eat buffet of emerging Australian musical talent. The only problem with having so many options is the effort it takes to suppress your FOMO when working out a schedule for the evening.
The first stop for this reviewer also proved to be perhaps the most brutal of the night at Crowbar. “We’re Jack the Stripper,” announced frontman Luke Frizon amidst a barrage of machine-gun kick drums and savage riffs, before scrambling over the railing and getting among his audience, which has doubled in size in the space of a minute, as his band’s guitarist spits beer over everything within a few metres radius. The quintet’s brand of merciless metal blows the cobwebs away and puts the eardrums on edge for the night ahead.
Over at the Zoo, Sydney’s Big White are equally impressive, albeit in a more jangly, indie-pop way. Their guitar-pop is innocent but intense, and laced with melodies to die for.
Tucked away in Winn Lane, there is a palpable buzz in the air as well as in the name of the largely unknown, but most exciting act of the night so far, Green Buzzard. With the floppiest of hair and finest of equipment the quintet give a first impression of being like Peace but with talent, and frontman Patrick Harrowsmith has undoubted shades of Tim Burgess and Ian Brown. “This is pretty cool for a Tuesday, no – Wednesday,” says their bass player to an audience too laidback to get into it. Expect big things from these lads.
Back at the Elephant, Melbourne’s Pearls are handing out a lesson in cool to a large and eager audience. A final flourish with their single ‘Big Shot’ is an excellent way to go out with a bang, before Perth’s Methyl Ethyl enjoy a similarly-sized amount of adulation before a smoke-hazed crowd.
As the air chills and the evening is well and truly broken in, Ella Thompson takes to the stage at the Brightside’s outdoor area with the voice of the night, hell; the voice of ANY night. The first of two performances from the talented Melburnian over two nights, prior to Dorsal Fins’ Thursday showcase, this over-too-soon set only reinforces the fact Thompson possesses one of the best and most soulful pop voices in the country. Songs from her debut album Janus, including second track ‘Drift’ sound, quite simply, divine.
The atmosphere is Rics is thick with hype and brooding talent as Melbourne quartet Gold Class put in a masterclass of post-punk intensity and smart rock. With an unmistakeable whiff of Joy Division and a Soviet-era fashion sense, the band put in the best performance of the evening to surely win many new fans and mark themselves as serious new contenders.
Not-so-new contenders Cosmic Psychos, meanwhile, are putting smiles on the faces of everyone watching their outstandingly raucous garage and punk show at the New Globe. As an inflatable doll is thrown around the front rows and Ross Knight announces “It’s a Wednesday – every day is a good day to go to the pub,” the band kick into ‘Nice Day to Go to the Pub’, and a mighty climax is reached for many punters’ first night of BIGSOUND.
One last showcase can be fitted in for this reviewer, however, and it comes in the form of Le Pie at the Press Club. With a head adorned with flowers and socks pulled to knee height, the diminutive singer and her band find it hard to fill 30 minutes, but with toes dipped in pop, punk and soul, the Newtown singer shows enough talent and promise to earn a rousing and well-deserved reception from a grateful audience.
As usual, BIGSOUND Live has delivered, most especially in the form of standouts Ella Thompson and Gold Class. May the merciful, sweet hangover gods spare our souls as we aim to do it all again tonight.
With hangovers supressed and a renewed skip in our step, we took to the streets of Fortitude Valley for another round of whatever BIGSOUND Live could throw at us.
At the Zoo, Sydney’s I Know Leopard provide a rousing beginning to the evening with a set of high energy indie-rock gems that show why the hype surrounding the band is so great. Single ‘Close My Eyes’, from a new EP released today, sounds particularly good, as does the mammoth finish with ‘Perfect Picture’.
Over at the Brightside, Melbourne’s Dorsal Fins turn the car park area into an eighties dance party; the band’s nine members exude as much joy from one set as a dozen bands put together. ‘Mind Renovation’ is the perfect place to start, and while singer Ella Thompson remains the major talent of the band, it’s the collective sense of fun that makes their show so appealing.
Meanwhile, at the New Globe, Sydney ambient rockers Dumbsaint aren’t in the business of fun. Their brand of rock is even more dark and intense live than it is on record, and is enough to hold an audience entranced despite a ‘clusterfuck’ of technical difficulties, as drummer Nick Andrews puts it. The quartet should consider their showcase well and truly nailed.
At Rics, Jonny Telafone takes barely one song to remove his shirt and expose his dadbod to an audience which laps up his electro-ambient, post-apocalyptic R‘n’B silliness. The Melbourne-based singer is perhaps one of the least known acts on the BIGSOUND bill, but will have gained plenty of deserved attention after tonight. Have a listen to ‘The Prayer’ and take your top off – go on, it feels good.
At Oh! Hello, Melbourne rapper Baro shows why he is one of the most exciting new talents in Australian rap and Hip Hop, amid repeated demands to “make some motherfuckin’ noise” and uniform arm-waving with an engaged crowd. Closer ‘Resume’ provides a mighty climax and leaves this reviewer in awe of the talent possessed by a guy who is still only 18. Highlight of the night.
Brisbane indie-pop darlings Major Leagues have drawn a big crowd at the Wooly Mammoth, and it’s easy to see why; their tunes are still as infectious and poised as ever. The quartet are, by now, veterans of BIGSOUND and take their chance to air new single ‘Someone Sometime’ in a set which goes down well.
Trying to get close enough to the Brightside stage to see JOY is a thoroughly pointless act, so the destination is Rics once more to catch Us the Band, who are thrashing out a couple of final tracks of high-octane garage-punk.
It’s up to Byron Bay’s wonderfully ramshackle Skegss to round off the evening’s entertainment in front of their homemade banner reading ‘Skegss – the worst band eva!’ Their set is ramshackle and great fun, and while the band are certainly not the worst ever, they are perhaps the loosest on show tonight – in a good way.
And so, the curtain falls on another BIGSOUND Live, and QMusic should be congratulated yet again for a bloody cracking job. Highlights for this reviewer included Baro, I Know Leopard, Gold Class and Ella Thompson. Now, just give me a bed and don’t bother me for several days.