BY NOW you’ve seen all the headlines, heard the gossip and checked out the grainy Instagram footage.
So let’s cut to the chase here: this gig will forever be remembered as the one in which Johnny Depp popped his pirate-y headband around the curtain and joined Marilyn Manson for his Sidewave encore.
The 51 year-old – in the country to shoot the fifth instalment of the Pirates of the Caribbean film series – already made an appearance at this week’s Foo Fighters gig, and while he may have given a Brisbane audience much more than they could have hoped for, it’s shock rocker Manson who should be most grateful to the actor for putting some much needed shine on an otherwise lethargic and forgetful performance.
After a short opening set from Swedish rockers Deathstars and an impressive flurry of intricate, classical-tinged metal tracks from Finnish cello-toting titans Apocalyptica – the latter earning huge cheers from a pumped audience – the lights dim and dark rumblings get the hardcore at front-and-centre excited.
Manson skulks onto the stage with hair looking like he’s been bombing his car down the freeway with his head out the window, as his band open with recent single ‘Deep Six’. While a slow opening building to some sort of release might be expected from Manson, all we mostly get are mumbled vocals and the view of the Pale Emperor’s back throughout ‘Disposable Teens’ and ‘mOBSCENE’, as the exalted one seems happy to let his band do most of the work, while he sits back and presumably saves himself for the main event at Soundwave. When he does find it appropriate to put some effort into his vocals he sounds great, but these moments are unfortunately few and far between. Muttering ‘Brisbane, Brisbane, Brisbane’ and pausing like you’re trying to think of something to say about the city between songs isn’t that cool either. Marilyn, we don’t expect some anecdote about how you love the beach at Southbank; we just want to see you play like you mean it, man.
‘Sweet Dreams’ sounds great because it’s simply a damn great song and it’d take someone even more apathetic than Manson to stuff it up, while laidback newer track ‘Third Day of a Seven Day Binge’ at least takes less effort to sound like it’s meant to. An encore – featuring the aforementioned pirate-y one – of ‘The Beautiful People’ is enough to finally get the audience excited as every camera phone in the room suddenly makes an elevated appearance, and while it’s this little episode that will make history, it doesn’t tell the true story of this gig. Manson used to look and sound dangerous, but now he’s just another bored middle-aged guy at a rock concert, albeit one who happens to be holding the microphone.