SYDNEY’S The Jezabels have been making headlines in the music press recently for two reasons: getting involved in a somewhat exaggerated spat with music critics on the subject of their work credentials and putting on great live shows. So, given that singer Hayley Mary was recently quoted as saying music writers need to “fucking get a real job”, it’s with mixed expectations that I pass through the doors of The Tivoli to catch their show.
Let’s get this straight from the off: this critic remains a big fan of the band and its music, despite the fact this would make me diabolically uncool in certain circles. The Jezabels continue to shrug off their detractors and make simple and great pop music, and they seem to be comfortable with the fact they’re pretty uncool at the same time. Which kind of makes them cool.
Tonight’s gig begins with the excellent Gang of Youths, who are much-improved performance-wise and song-wise since the last time they played this venue supporting Cloud Control in August. ‘Evangelists’ is a stand-out, and the only thing lacking for the band is more time to jam; these guys deserve to be big, and probably will be.
Nick Kaloper, Sam Lockwood and Heather Shannon take to the dimly lit stage of a now-packed house and receive a monumental cheer, before Mary herself strides on dressed in glittery black top and black pants and ups the volume several fold. The band begin in measured fashion with the title track and opening number of new album The Brink. Mary’s voice is what makes The Jezabels better than most similar pop bands; it soars, chills and soothes at different points and at the drop of a hat, while the rest of the band are clinically precise.
‘Endless Summer’ is next, and the audience is in Mary’s hands at this point, followed shortly after by ‘Time To Dance’, which a Jezabels audience doesn’t really do; it’s more of a stand-gawping kind of deal. Mary spins, shuffles and raises her left hand to the roof during the more majestic moments, and while the rest of the band stay fairly static, there’s enough to keep things interesting throughout ‘Look of Love’ and early track ‘Hurt Me’.
‘Beat to Beat’ is a mid-set highlight as Mary stretches her vocal range and gets out into the audience to high-five some fans at front-and-centre, with further big responses for ‘The End’ and ‘Disco Biscuit Love’.
So, what’s the somewhat confused lesson this critic learned from tonight’s gig? It’s this: fuck the critics. Nice work, Jezabels.