Perth trio The Love Junkies have been busy blowing eardrums up and down the country for the past couple of years with their sweat-drenched, everything-up-to-eleven live shows. Their 2013 debut album Maybelene was an impressively pulsating mix of grunge riffs, alt-rock face-melting and bluesy jams, and this five-track home-recorded EP continues in a similar vein – to a point. You’d be forgiven for thinking the band had gone soft with a mellow space-rock 90-second intro and the poppy opening minute of single ‘Chemical Motivation’, before the point in the song long-time fans have come to expect and love; when singer-guitarist Mitch McDonald lets rip with a throaty scream that would peel wallpaper and probably knock out a donkey at ten paces. ‘Storm Troopers’, penned by bassist Robbie Rumble, is an introspective shoegaze-y affair that never fully kicks into gear and ‘Gloria To My Dysphoria’ is a somewhat solemn, slow-burning psychedelic epic. Closer ‘Blowing On The Devil’s Strumpet’ gets closest to the vein-busting screamo found on Maybelene, and just when you think McDonald’s voice can’t hold out, he goes for another couple of verses. This is another fine release from one of Australia’s best and most promising young rock bands.
The Love Junkies have been plying their trade in and around Perth since 2009, and with an EP and a couple of singles already under their belts, it’s finally time for a full-length record. With eleven tracks clocking in at around the thirty-five minute mark, this is a direct, in your face rock album, and takes no prisoners from the start. With influences ranging from grunge, blues, and classic rock, the trio waste no time in stating their intentions with opener ‘Heads Down’; a straightforward rock song that could have been lifted from any number of ’90s grunge bands. Similarly to recent records by fellow Perth acts Emperors and Young Revelry, the ’90s alt-rock vibe flavours almost everything on Maybelene, which in this reviewer’s opinion is almost always a good thing. Single ‘Oxymoron’ is a catchy blast of Nirvana-esque grunge that leaves you thinking that these guys would be awesome to see live; all frenetic rock energy and big riffs. ‘Hurt You’ is the token mid-album slow number and veers a bit too close to Britpop territory for comfort, but ultimately only serves to make you more grateful for ‘Black Sheep Blues’; a riff-and-handclap-laden Led Zep-like blues-y number with just the right amount of sleaze. The Love Junkies seem to be flying a bit under the radar with this album, but rock fans will want to check it out, as the loud, raucous, and loose tunes sound like they’d be a lot of fun to get sweaty to. (Independent)