Tag Archives: guitars

Live review: Peace + Millions + The Creases – The Zoo, Brisbane – 19/9/13

Peace

I recently interviewed Peace frontman Harrison Koisser and he told me how much the band was looking forward to coming to Australia for the first time. “I’ve heard the lifestyle is different but the ideas are the same. It sounds like something we can get along with. I want to feel it,” he said. Tonight, in Brisbane’s best venue, the young English quartet will get a taste of that feeling, which probably involves a lot of heavy sweating in their leather jackets while blasting out a series of more-than-decent indie-rock tunes.

As I make my way from the traffic lights outside The Royal George towards the welcoming stairwell at The Zoo’s entrance, gladly escaping the god-awful blare coming from the Kaliber Lounge, the four lads of Peace are ambling along just in front of me, all shabby Converse and stick-thin legs, looking nonplussed and generally pretty cool with life, and like me they grab a spot to watch the support acts. Local indie-shoegazers The Creases are first up tonight, and they play a set full of heavily-distorted guitars, plenty of fuzz all round, shared vocals between members, and a bit of jangly pop thrown in for good measure. With support slots coming up soon for some bigger bands, these guys are worth keeping an eye on.

Next up is Millions, who have a different but equally good vibe, and a higher level of musicianship. The audience responds well as the band work through some new and unfamiliar songs throughout the set, and despite there not being much crowd interaction – as with all the performances tonight – the band, and particularly guitarist Ted Tillbrook’s impressive riffs, keep the top quality tunes coming; a highlight being ‘Stone Roller’ from last year’s Cruel EP.

Peace have recently toured with Mystery Jets, The Vaccines, and Palma Violets, so it’s tempting to lump them all together by describing their existence as some sort of resurgence in English indie guitar bands, but in truth, they play a style of music that has been around the block several times. Their sound is almost like a Brit-pop revival with more than a hint of psychedelia, and probably quite apt for this place and time, given that a large percentage of the Australian music-loving community is pissing their pants about Blur making their way Down Under very shortly. In saying that, they are a talented bunch of guys who aren’t into rehashing riffs, sounds, or styles from any previous era, and can put on enough of a show to make you forget about all the blog buzz and hype surrounding their debut album. Such attention has probably done them a disservice, as they’re a kick-ass live band first, bunch of pretty indie-boy pin-ups second. The quartet launch straight into their up-tempo set, only pausing to say hello before fifth track ‘Float Forever’, which Koisser introduces as “a slow one”, and the big choruses of ‘Toxic’ have heads nodding venue-wide, after he begins the track with just his solo guitar and voice. ‘California Daze’ is still probably their best song and would sound amazing at an outdoor summer festival, as it does in a small venue, and despite the ‘next big thing’ tag a large section of the music media has tried to force on the band, tonight’s gig is definitely a triumph of substance over style.

Record review: The Vernons – Volume I (2013, EP)

Vernons

The Vernons are four guys from The Gold Coast, who – having plundered their parent’s record collections and loaded up on retro-fuelled rhythms and a truckload of optimism – have set out to create music that makes you want to rock. Damn hard.

The band’s bio lists their interests as “beer and rock ‘n’ roll” and this four-track debut EP is built on solid foundations of both those things. While it’s hard to describe their music without listing the obvious influences from the best of ’60s and ’70s classic rock, the young quartet have enough of their own thing going on to avoid being labelled copycats.

Opener and highlight ‘Shake ‘n’ Roll’ borrows heavily from the likes of Led Zeppelin’s ‘Whole Lotta Love’ and Ten Years After’s ‘I’m Going Home’, and barrels along at a frantic pace from the start, before breaking down into a more bluesy groove as the song progresses.

‘Standing In Line’ is a more controlled affair, but loses none of the band’s trademark groove in the process, while ‘White Wine’ is even smoother still. Closer ‘Mercy’ makes a return to hard-rockin’ riff territory before we get too relaxed and before we know it, the EP is finished. With a similar sound to contemporary bands like WA’s The Love Junkies and NSW’s The Rubens, The Vernons have a good thing going on here, and the fact this EP is called Volume I would surely suggest there’s more to come from these Queenslanders.

These songs sound like they would be dynamite played live, and with a reputation for a killer live show, The Vernons are a band to keep an eye on.

VOLUME I BY THE VERNONS IS OUT NOW