Reviewing new music often degenerates into simply working out which bands to compare to which bands; this band will move you like that band, or if you like that tune you’ll love this one, and so on. Then along come Newtown trio DMA’s and make the job so easy that you’re not sure if it’s an unashamed rip-off, genuine homage, or a mixture of both. This five-track debut EP is so steeped in ’90s indie-rock and garage-pop flavours that you expect it to let out an extended Liam Gallagher-esque vocal sneer at any second, but thankfully it never comes. Instead, this is a collection of tunes moulded by a combination of Britpop melodies, rough edges and plenty of heart, carried off by a bunch of scallywags you wouldn’t trust to borrow your car and bring it back in one piece, if at all. Opener ‘Feels Like 37’ veers close to ‘Morning Glory-era Oasis territory, while there’s more than a hint of shoegaze guitars under a Charlatans vocal line about ‘Play It Out’. The high point is closer ‘Delete’; the most delicate and almost ballad-like track, which will appeal much more to fans of Noel Gallagher than it will to those of his more abrasive younger sibling. This is a promising start to a young band’s career, but it’s how DMA’s take a sound cemented in such obvious reference points and make it their own that is most important from now on.