Record review: Foxygen – We Are The 21st Century Ambassadors of Peace and Magic (2013 LP)

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There’s an argument that psychedelic flower-power rock belongs in another age; an antiquated, bygone form of music that has no frame of reference in today’s dog-eat-dog world. It never totally went away of course, but it was pushed so far underground that it came close to pushing up daisies instead of wearing them in its hair, as the sixties died off and bled into the dark rock of the early seventies and anarchic punk stylings of the second half of the decade. So, given time to lick its wounds and pick itself up again, flower-power is back in fine form, refitted and retuned to cope with the rigours of the 21st century, and young New York group Foxygen are leading the revival. Despite the influences being glaringly obvious (The Beatles, The Byrds, Lou Reed, The Stones’ more upbeat moments) this ain’t no acid flashback folks – this is flower-power revamped for a new generation. Setting out their stall with a ridiculously lengthy and apt title, Foxygen duo Sam France and Jonathan Rado are clearly wired to another era, and sing with total conviction about missing their West Coast love on San Francisco, and being some kind of new-age troubadours on the title track. There isn’t a dud to be heard on this album of sixties vinyl distortion, catchy melodies, sunny harmonies, and perfectly fuzzy guitar; ‘No Destruction’ being probably the finest example of all the above. Based on this evidence, 2013 could well be the year of peace, love, and Foxygen. (Breakfast Horse)

Record review: Palma Violets – 180 (2013 LP)

Every so often a new group of young cool cats is heralded as the saviours of rock ‘n’ roll, and the mission to bring guitar music to the masses and reinstall indie rock back to its position at the top of the musical hierarchy is forced upon them by various magazines and blogs. London likely lads Palma Violets have been touted as the new Messiahs for the past few months, just like Rough Trade label mates The Libertines and The Strokes before them. Being particularly adept purveyors of the form, they will certainly add a lot to indie-rock music, rather than changing the whole scene altogether. Like The Libertines, they are a brilliant mix of ramshackle melodies, gutter heartbreak, and charming scrappiness, and the quartet back up their new-indie-kids-on-the-block style with plenty of song-writing substance. ‘Step Up For The Cool Cats’ is a good place to start checking them out; it brings together scratchy guitar lines, lo-fi organs, and a hint at aggression desperate to be unleashed. Elsewhere, ‘Tom the Drum’ channels the guitar work of Eddie Cochran and drumkits are given a relentless pounding, and ‘Chicken Dippers’ sounds like a junk food-addicted Julian Casablancas crooning on a spaghetti western track. Media hype has crippled and crushed many a young band before they had a chance to really get going, so it will be interesting to see how Palma Violets cope with the expectations placed upon them. (Rough Trade)